jbl studio monitors review

Benchmark audio tests of the JBL 4367 Studio Monitor Loudspeaker were conducted using a calibrated Earthworks M30 microphone. Still inaudible and I guarantee at 100 dB, it was barely any higher than this. At 24 Hz the distortion level at 100 dB rises to just below the level of audibility, when measured at the driver, at 9.55191%. I would say it’s good enough for a small room but if you really want to go deeper you might want to pair them with a subwoofer. The entire midrange to lower treble area is exceptionally flat and well behaved. Using essentially the same 15-inch bass driver as the M2 and the identical dual diaphragm compression driver for the upper-mid and high frequencies, the 4367s definitely bring more than a little pro-audio “cred” to the table. It’s going to work but it’s not an ideal use case for them. Using essentially the same 15-inch bass driver as the M2 and the identical dual diaphragm compression driver for the upper-mid and high frequencies, the 4367s definitely bring more than a little pro-audio “cred” to the table. JBL presents its Series 3 studio monitors as eminently affordable speakers you can use for serious recording, and they deliver on that promise. JBL Studio 530s should be the benchmark for all small monitor speakers under two thousand dollars. The LSR305 is equipped with a 5” woofer and a 1” soft dome twitter each powered by a 41W Class D amplifier. Both the 50 mm tweeter and 19mm super tweeter employ titanium diaphragms, while the bass driver features a 300 mm pure-pulp cone. Last update: August 13, 2019. Some of the links presented are affiliate links. More often than not, and to varying degrees, I’ve tended to give the nod to my CD copies as having the edge in sound quality and it typically boils down to a difference in perceived clarity and dynamic range. Well if that still be true then the JBL 4367 would be a coffin that I should fancy myself to be buried in! JBL 305P MkII Studio Monitor Review. The JBL 4367’s on-axis frequency response shows essentially textbook good behavior from 500 Hz right up to 20 kHz and certainly a little beyond. So unparalleled was it for its dynamics, efficiency and power that a derivative of this driver remains in production from JBL, to this day. They have a little bit more power in the drivers compared to the JBL Studio 590. For the sake of comparison when the same 24 Hz measurement is taken at the ports, where most of the sound will be emanating from at this frequency, the distortion level is only 2.639647%! The JBL 4367 is a more consumer-friendly distillation of the highly acclaimed JBL Professional M2 Master Reference Monitor. With some additional trial and error, I settled at keeping the High Frequency and Ultra High Frequency trim dials at the default zero level throughout my listening. The JBL 3 Series MKII powered studio monitors provide accurate detail for recording and offer superior quality for personal listening. It also provides a great marketing spiel borrowing things from a $20K pair of monitors, doesn’t it? In the JBL 4367 Studio Monitor press release, JBL comments: “The D2430k dual-diaphragm, dual-voice-coil compression driver, employs two annular (ring-shaped) diaphragms and two voice coils to deliver extended high frequency response to 40kHz with extremely low distortion even at high volume levels. It’s a very safe bet to say that these speakers would be seriously tube amp friendly, if you are so inclined. The tweeter is the firm’s special CMMD waveguide with a geometry derived from the M2 series. On “Sandy’s Smile” the drum cymbals had an especially nice sheen and sparkle to their sound. I confess to being enamored with the classic look of these things and the nostalgia that they bring to table. If he had a personal philosophy, it would be; always be open to learn something new and don’t take yourself too seriously. When you get these monitors, if it’s your first pair, make sure you read the manual and then spend the time to properly adjust them as best you can to fit your room and setup. The JBL Studio 290 is a three-way design with two 8-inch low-frequency drivers, a 4-inch midrange driver and a 1-inch CMMD dome tweeter. If you’re looking for a monitor that goes loud and low, and has excellent high-frequency performance, JBL’s new range might just fit the bill. Just be careful there as a subwoofer in a small room with not much in terms of acoustic treatment could add more problems than it solves. So they are good in a variety of situation but one thing I would add in any of them is to keep them at a bit of distance from the rear facing the wall. The woofers were sprightly enough to keep up with the upper end gymnastics, filling in the lower end with the rolling thunder of the tympani drums. The subwoofers were sealed boxes each with a 15-inch JBL 2235h woofer installed. Single 15” Model 2216Nd-1 Differential Drive Woofer, Single 3” Model D2430K Dual Diaphragm Compression Driver mated to a Horn Waveguide, Dual Gold-Plated Five-Way Binding Posts, Bi-Wire and Bi-Amp Capable, JBL, 4367, Studio Monitor, Professional, Waveguide, JBL 4367 Studio Monitor Loudspeaker, Loudspeaker, Reference monitors, Loudspeaker Reviews 2017. The higher notes are handled by a proprietary 3” dual-diaphragm, dual-voice-coil compression driver (JBL Model D2430K) attached to JBL’s High Definition Imaging (HDI™) waveguide horn. It uses dual 3” voice coils, with dual gaps, mated with a neodymium magnet system to help reduce distortion and overall mass while increasing efficiency. The JBL Synthesis 4429 studio monitors fit that bill perfectly. This desire for knowledge-through-deconstruction continued through to the family’s 8-track tape player, turntable, headphones and speakers. The JBL 305P MkII Studio Monitors are taller than an average 5-inch studio monitor. The JBL 4312G is principally inspired by the 4310 family of professional studio monitors that came into prominence during the early 1970s. Tony Bennett, This Is All I Ask, Columbia Stereo LP, 1966. The back bass port could be an issue if you are tight on space and you need your monitors up against a wall. Lately we have seen many retailers aggressively lowering it’s price which seems to be a small indication that we are approaching the end of it’s life cycle in preparation for a refresh or a new series. The bass region shows a gentle lift from room gain at 150 Hz down to almost 30 Hz where it begins to gradually roll off. JBL is known to be the top manufacturer of studio monitors. In our picks for best studio monitors, we presented the JBL LSR305 as another option besides those picked.. Those JBLs were pretty compact at 361 x 224 x 282mm, but these new Series One 104s are even smaller, so the question is: can they maintain the new ’cheap is good’ philosophy carved out by their (not that much) bigger brothers? to get a level playing field. Far above the price range (but you get what you pay for), these speakers as we mentioned in our full review will rock your world. I heard more grit and scratch from Bon Scott’s voice. Their large, slightly retro enclosures feature a compression horn system for tweeter and super tweeter, linked to a beefy woofer. Speaker wire and interconnect cable by Blue Jeans Cable. These features, combined with the patented waveguide horn design on the compression driver, give us a speaker with enviable dynamic capabilities. “It’s pretty much all they are good for anymore” (paraphrase) was the underlying opinion. This time we take a closer look at the monitors, the good, the bad, and what makes them special in a way. Everything below 300 Hz is governed by room modes and is less of a concern at this point with this measurement. (function(){window.mc4wp=window.mc4wp||{listeners:[],forms:{on:function(evt,cb){window.mc4wp.listeners.push({event:evt,callback:cb});}}}})(); The Image Control Waveguide, as they call it is the concept borrowed from a larger set of monitors, the M2 mastering monitors. This is considered loud by any stretch and some lesser drivers would balk at these levels. This is neither audiophile nor Hi-Rez in nature, but it’s honest to goodness hard rock that any speaker worth its salt (to me) needs to be able to handle. Their 305P is a solid choice given it’s a small, woofer packed system that offers you almost everything you can possibly look for. The JBL 4367 Studio Monitor is a two-way front-ported single cabinet design with the crossover set at 700Hz. Home » Studio monitors » JBL LSR305 Studio Monitor Review, By Emma, in Nostalgic styling with great build quality. Studio 270 is a three-way bass reflex speaker about 3,3 feet high. Efficient and easy to drive so tube lovers, rejoice. Kick drums on driving rock music were almost concussive when they hit. You don’t really have to be sitting perfectly in the sweet spot to hear your instruments right and to be able to point out their position in the stereo field. It’s to be expected from a monitor of this size. The 5-inch powered woofer is a good size for a medium-sized studio. They would need to be playing during my funeral so that while attendees were mourning my passing they could revel in the sound of my astonishing musical taste! KEF R900. No bloat to speak of. The speakers we will be talking about come from no other company than JBL that most of y… It was truly a “Frankenstein’s monster” of a speaker set but it served me well for many years. Since vinyl has measurably less signal to noise ratio and dynamic range compared to digital, I’ve noticed a difference on a few occasions when comparing both the vinyl and CD version of a given album. Carlo currently lives in Granville, Ohio with his wife, two young sons and a pair of hyperactive dachshunds. All in all, the JBL 4367 is a pretty flexible and forgiving speaker when properly set up in a room. Or is that two hyperactive sons and a pair of young dachshunds? What I would like to point out is that all these monitors have EQ options to help you fine-tune the sound so don’t take this particular recording as an absolute answer. Rigidity is further enhanced by the use of two varying braces connecting all of the vertical panels. The source device was a LYNX Two professional PC sound card using test signals created by SpectraPLUS audio measurement software. On “A Time for Love” the detail afforded by the JBL’s compression driver make Sims’s breathing easy to hear as he plays the smoldering lead, almost lending his performance an otherworldly quality that hovered midair, just in front of me. The matte black speaker cabinet may not be the most visually striking in our review, but these floor standing speakers produced an open and accurate tone across a wide frequency range in both music and movies. New from the JBL Synthesis’ Northridge, California facility, a high-end studio monitor that wears the company’s classic blue baffle but is aimed at the discerning home listener. They sound far and away better than most vintage speakers that I can begin to imagine. This time we take a closer look at the monitors, the good, the bad, and what makes them special in a way. JBL's new LSR3 series brings technology from the company's premium monitor range within reach of the home studio. Essentially inaudible. JBL Studio 530: Sound quality The XX always provide an expansive, roomy soundstage, and … Great music helps feed the soul and inspire creativity, and also provides for the occasional distraction. By the middle of that decade, the 4310 had become one of JBL’s most successful professional products commonly being found in recording studios all over the United States and abroad. Also, as a budding graphic artist, the aesthetic aspects of a given piece of gear became increasingly of interest to his eyes. Huge soundstage, while still retaining plenty of detail. I personally have a soft spot for JBL professional woofers. However, the LSR305 workroom Monitor is an incredibly affordable product that offers high quality and loud sound. To that end, if there were one thing that I would like to see on the JBL 4367, it would be the addition of some sort of boundary compensation switch or another set of trim controls to adjust the bass frequencies. A few years back, the term “Monkey Coffin” was coined by a certain audio reviewer to describe the traditional “box” speaker and the somewhat stagnant level of its general development. The other key to the JBL’s Studio Monitor Loudspeaker’s impactful performance is found in the lower frequency section. Also, if you are new to making music at home make sure to check out our guide on setting up your home studio. Our magazine, which began with the publication of the SECRETS Primer, is available exclusively on-line and offers to our readers an extensive information resource about home theater and high-end audio. The bass and midrange drivers are made of so-called PolyPlas, which is another of JBL’s specialties. This graph shows an averaged in room response that was culled from six measurements taken at various points around the main listening area. So, if I had to describe the JBL 4367s in one word, it would have to be: joyful. According to the company, th… This tempo continues on the track “Emily” along with a lovely background interplay between the piano and bass. The rear of the cabinet has four gold-plated connections for bi-amplification or bi-wiring through the separate networks, but JBL includes a pair of heavy-duty jumper cables for single-conductor usage as well. At no time during my review did the woofers in these speakers give the impression that they were taking a back seat to the compression driver, in terms of timing or accuracy. One of JBL’s first original products was the D130 15-inch driver. Ultimately, this is a hobby and it should be fun. At 250 Hz the distortion level at 100 dB begins to rise ever so slightly to 0.080793%. Sounds like the scrapes on the accompanying acoustic guitar strings or the sparkling sound of the background wind chimes are handled with the sort of deftness and care that you might not expect from a pair of big black boxes that look like they should come with a matching roadie. If you subscribe to this line of thinking, then consider the JBL 4367 to be probably the most effective bookshelf speaker you’re likely ever to hear, albeit in a more armoire-sized form factor. The subwoofers especially, continued to soldier on long after the satellites were replaced with better sounding modern units. Having just recently become the owner of a half-decent turntable, and my in-laws pristine jazz record collection, I’ve been spending more and more time with the 12-inch black plastic platters of late, and have been enjoying their virtues. This level of detail was, no doubt, afforded by JBL’s novel compression driver and waveguide combination. This is the funky horn-like, but not a horn, thing going on around the tweeter. After a little experimentation, I settled on a result that had the speakers placed about 8 feet apart, toed in approximately 15 degrees, and set well into the room. It features an oval pill-shaped enclosure with a coaxial 4.5” LF driver and integrated 0.75” tweeter positioned behind a black metal grille. 6: November 2020, What We’re Listening To. He can never keep that straight…. That said, like with any speakers, the environment heavily influences the sound. Ideally, you also consider acoustic treatment for the room once you have the means. Carlo subsequently spent a lot of time in his room…As he grew older, he would spend countless hours in downtown Toronto stereo shops, listening to all manner of gear and picking the brains of the various store owners. I’ve already had at least one ’how can they do it for that size?’ monitor moment with the IK iLoud Micros, a couple of year… JBL has always had a reputation for engineering woofers with excellent distortion characteristics, particularly with their pro audio and competition automotive drivers, and the woofer in the 4367 seemingly continues that tradition. Join whathifi.com on Facebook Controls to tailor bass for more flexible room placement. Find helpful customer reviews and review ratings for JBL Studio 530 2-Way 5.25-Inch Bookshelf at Amazon.com. Tony Bennet’s voice is unmistakable. Backed up with tasteful jazzy and orchestral arrangements courtesy of Ralph Burns and His Orchestra and the Ralph Sharon Trio, the album is a stylish vocal tour-de-force. And when Tony’s voice would stretch and hit its full volume, the dual diaphragm compression driver and waveguide helped keep everything extremely well controlled with no signs of distortion or break up, even at volumes louder than I normally listen to. Melody Gardot, My One and Only Thrill, Verve, CD. Studio Monitors. In much the same way that Tannoy are iconically associated with traditional studio monitoring in the UK, over the pond in the US, a similarly iconic status belongs to JBL. The satellites had a Celestion Beryllium-Copper dome tweeter and a KEF B110 midrange driver. For once, I’m one step ahead of Pickford in the small studio-monitor stakes. A native of Toronto Canada, Carlo's interest in audio began at a young age when, unbeknownst to his mother, he started taking apart her transistor radios to see how they worked. The annular diaphragms are not subject to the break-up modes of a conventional dome diaphragm, and the use of two voice coils yields a dramatic increase in output and power handling.” The waveguide horn is a new, patent pending, design made from an extremely dense and acoustically inert composite. At 500 Hz the distortion level at 100 dB goes even lower to 0.066376%. The inherent warmness of the album’s sound came through fully on the JBLs but not so much that it marred any of the subtle vocal inflections or phrasing. The best advice we can offer when it comes to choosing a pair of monitors is to listen to them before you buy. JBL STUDIO MONITOR LOUDSPEAKER REVIEW SPECIFICATIONS, © Copyright 2020 Secrets of Home Theater and High Fidelity /, Show Reports, Film Festivals and Concerts, Marantz SACD 30N Network SACD Player Review, MartinLogan Balanced Force 212 Subwoofer Review, Starke Sound A8.350 Multichannel Power Amplifier Review, STAX SR-007A Electrostatic Headphone Review, What We Are Watching Vol. And it works. Studio monitors. JBL LSR305 Studio Monitor. The wide sweet spot also helps in this regard but will not solve a long way from the couch to the tv. Due to the back bass port, having them up against a wall could make the low end sound muddier than it really is. That input sensitivity switch means that you can comfortably feed consumer-grade devices into your monitors as well as professional DACs and other devices. Well the 15-inch drivers in these JBLs stand that argument on its head and blow raspberries at it. Specifically when it comes to audio reviewing; honesty and a good balance of objective and subjective observation is key. It made individual instruments easier to pick out in string concertos while guitar riffs and power chords seemed to have a heck of a lot more going on to them than I had previously remembered. The styling is classic JBL: a massive single cabinet with a large, front facing 15-inch woofer set below a waveguide horn. The specially designed waveguide helps to ensure a wide and deep sound stage and all together give this speaker a large dynamic reservoir to facilitate its lighting up a room with sound. This “scene” almost sets you up to expect a sleepier kind of tune before the woofers firmly pop you with a kick drum followed Sims’ room-filling sax. It’s quite apparent that much of the cost with these go into the sound itself. As a matter of fact, there were more than a few occasions that I found Tony’s voice sounding, not just good, but startlingly good. A wide variety of music is often heard coming from Carlo’s studio while working on his latest project. Carlo started his own company and has been freelancing artwork, from his home studio, for primarily the toy and publishing industries since 2001. There is, however, nothing nostalgic about the sound of the JBL 4367s. If you are new to using studio monitors and you’re looking at your budget don’t forget to factor in other things you might need such as speaker stands, sound card, cables and so on. The inherent dynamics (and sheer lung capacity) that these speakers also possess make listening to any gospel singer or blues-belter for example, a truly visceral experience. James B. Lansing is the innovative audio inventor and speaker engineer whose initials make up the modern name of the company he founded in 1946. The two plots track each other tightly until we get to about 13 kHz where the treble energy begins to gently roll off. In terms of looks, it’s not the prettiest set of speakers you can find and the build quality isn’t the greatest either. In our picks for best studio monitors, we presented the JBL LSR305 as another option besides those picked. One of the first serious speaker systems that I owned was a custom-built satellite/dual subwoofer combo that was managed by an external active analog crossover. This design helps give you a wider sweet spot than other monitors and better detail in the sound. A beautifully recorded disk of jazz standards featuring Miss Gardot’s sensuous vocals. Both the 305 and the 308 use a borrow a technology developed for the M2 mastering monitors which make them interesting, to say the least. Distortion measurements for speakers are typically done at a 90 dB reference point but the distortion numbers for the JBL 4367s were low enough that I also measured them at 100 dB to really see what these drivers could do. I came away appreciating that these JBLs have a very deep and capacious dynamic well from which to draw upon. They made me smile a heck of a lot during our time together. The JBL 4367 Studio Monitor has powerful bass capability. Since it is powered you don’t have to plug them into an external amplifier. In all seriousness, the JBL 4367’s are exceptional loudspeakers that are truly a triumph of engineering. The highly-advanced drivers have excellent efficiency and impeccably low distortion. This chart shows the on-axis frequency response directly compared to the 30 degree off-axis measurement. There is a school of thought among some audio reviewers that consider the use of a well-designed two-driver, two-way bookshelf speaker to be the most efficient way to get precise imaging and soundstage from the biggest part of the audio range. Despite their non-inconsequential size, these speakers are extremely efficient and relatively easy to drive making them an appealing option for the tube amp crowd. From the opening notes of “Keep Smiling at Trouble,” the JBL 4367s throw up a huge, expansive soundstage with Tony’s voice locked in the dead center. JBL Studio 530 Speaker Review. You don’t really feel that there is a very obvious lack of or boost in certain ranges. Dandy Hydraulic LP Cleaning Apparatus MKII, PreSonus Eris E3.5 Powered Speakers Review. It’s that personal experience, tinged no doubt with a certain degree of nostalgia that brings me to look upon the JBL 4367 with a healthy dose of admiration and respect. It was a fair bet to assume that getting good bass response was not going to be a problem. The impact and decay of the lowest piano notes were potent and full of detail. As with all the other material I listened to, the JBL 4367s threw up a huge soundstage and yet kept a tight focus on the background instruments as well so as not to lose any of their detail. At no additional cost to you we will earn a commission if you decide to buy through these links. Not just another version of Beethoven’s Ninth but, after much searching and listening, I believe this is the version that was used, and uncredited, in the end credits of the movie Die Hard. Trusted by studio engineers around the world, JBL studio monitors are meticulously built to deliver the most accurate and precise sound that professionals demand. HomeStudioMaven.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. The JBL 4367s, true to their studio heritage, grab all these tracks by the scruff of the neck and play them back with an audacious confidence that only a studio monitor playing back a session tape could have. At 32Hz, the distortion level at 100 dB rises gradually to only 0.453090%! This is helped by the JBL’s striking midrange delivery. How Much Amplifier Power Does your Home Theater Need? This translates into a frequency range from 43Hz to 24kHz and plenty of volume with good accuracy at a higher volume. This allowed for the best overall imaging while keeping the bass punchy but not overpowering at my main listening position, about 9 feet away. It’s all sounds very sumptuous and yet the 4367s kept revealing unexpected levels of detail, particularly in the string sections, from a well-preserved, but old, piece of vinyl. True to its M2 lineage, the 15-inch Differential Drive® woofer is taken nearly unchanged from the M2 Master Reference Monitor with only an update to soften the surround and lower the resonance to enhance its performance with the 4367 cabinet. I also think that vinyl lovers will particularly appreciate the sonic capabilities of the JBL 4367 Studio Monitor Loudspeaker. This was particularly evident on the romantic ballad “Autumn in Rome” where the detail in Tony Bennett’s voice came through just exquisitely on the softer passages, but the speakers still kept everything sounding warm and especially lush. Once I got them set up and positioned just so, I believe these JBLs gave me some of the best vocal reproduction and clearest sound staging that I’ve come across from a pair of classic bass-reflex type speakers. If you are hankering for a mastering room type of speaker for your home stereo setup, the 4367s may be the E-Ticket ride that you are after. Male and female vocals were clearly delineated and spatially positioned to an extremely fine degree. A great monitor for the price that can serve well as your first pair of monitors or as secondary pair if you already have larger monitors. There is no denying however that the warmth of vinyl sound has a unique appeal all its own. Here is a demo recording of how the 305 sound compared to the Yamaha HS5 and the KRK PR5G3. Career-wise, Carlo eventually graduated from Sheridan College with a degree in Classical Animation and was subsequently employed by Walt Disney Consumer Products for 10 years as a Character Artist and Art Director. It is equal amounts graceful, controlled and powerful and it is showed off in grand style on this trademark album. The biamplified 308P MkII offers the same cabinet size (16.5 x 10 x 12.1 inches) as its predecessor, a pretty typical size for an 8-inch monitor. At that time the JBL 4425 was the first studio monitor from JBL to combine a compression driver and Bi-Radial horn in a monitor which was in a reasonably compact size. It’s true to some extent that what you get is proportional to what you pay so keep that in mind. JBL Studio 580: Verdict. One of the things that I needed to consider when I was working on placing the speakers was that we essentially have a capable 15-inch driver placed inside a roughly 4 cubic foot, ported enclosure. If we had £1500 to spend on floorstanding speakers, the Studio 580s would be on our shortlist. Starting with the good news, the on-axis response is surprisingly flat, resembling some nice studio monitors. I seem to have misplaced my 100 dB distortion measurement at 40 Hz but I kept the one I took at 95 dB which shows a distortion level of only 0.127169%. The low end is good but a bit limited. There were more layers and separation between the notes in Angus Young’s guitar solos. Overall, I found the speakers build quality to be excellent and commensurate with a product of this price level. The following are a few notable musical selections that I felt showed off the JBLs during our time together: Zoot Sims, Quietly There: Zoot Sims Plays Johnny Mandel, JVC XRCD. I can’t pay the JBL 4367s a better compliment than that. It’s been given a shiny updated look, courtesy of a glossy black plastic plate that surrounds the driver, covering the screws that were visible in the previous version, and integrates into the waveguide, whose design came from JBL’s high-end M2 reference monitor. As I mentioned earlier, obtaining acceptable levels of bass with these speakers won’t be an issue. The JBL 4367s expanded maestro Bernstein and his performers big and wide, making the presentation properly memorable. The 4349 is a large two-way standmount loudspeaker whose 1-inch-walled and heavily-braced enclosure houses JBL’s horn-loaded D2415K compression driver and a 12″ Pure-pulp mid/bass driver. The JBL 4425 was first introduced way back in 1985 and the 4429 model is a direct replacement for this monitor. It’s not an issue if you could leave a few inches between the speakers and the wall but it’s something to be aware of. At 1 kHz the distortion level at 100 dB drops even further to 0.096540%! Leonard Bernstein, Beethoven Ninth Symphony New York Philharmonic, Columbia Stereo LP, 1969. In this JBL EON 610 review, you'll discover how this 10-inch speaker offers plenty of features and great sound. There is a very mild upper treble reduction beyond 13 kHz but this is typical for most speakers in room. It seems that the crafty buggers at JBL have figured out how to produce a bona-fide audiophile monitor that also moonlights as possibly the world’s best party speaker! 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So focused and precise that it cuts straight through the low frequencies, straight into the lap the... How the 305 is part of the buzz is about sensuous vocals a large, slightly enclosures! Vinyl sound has a unique appeal all its own a 1-inch CMMD dome tweeter and super tweeter titanium! Becomes something just short of a religious experience ideal for producers and music purists this level of detail,! That still be true then the JBL 4367s expanded maestro Bernstein and his performers big and wide, making presentation! Vinyl sound has a unique appeal all its own room modes and is less of religious. Lesser drivers would balk at these levels compression horn system for tweeter and 19mm super tweeter, linked to beefy... You get is proportional to what you pay so keep that in mind the studio 580s be... By any stretch and some lesser drivers would balk at these levels Earthworks M30 microphone classic of... And convenience in mind JBL is known to be the top manufacturer of studio monitors, we presented the studio! A Black metal grille other tightly until we get to about 13 kHz where treble. While Black and Brown Walnut veneer are fine, a lot during our time together is..., easily, some of the home studio bass port could be an issue is! Honest and unbiased product reviews from our users what the speaker ’ s essentially simple classic! Series which also includes it ’ s studio while working on his own, but not in my.... Behind a Black metal grille here is the funky horn-like, but not in opinion! S design is intriguing enough that it warranted a U.S. patent end is good but a bit.! Well for many years easily, some of the most efficient speakers that I can ’ t it a. Background interplay between the piano and bass M2 series help give prospective buyers additional flexibility for placement in room! Be adjusted to sound better than they do in the drivers compared to other monitors that compete with the is! As I mentioned earlier, obtaining acceptable levels of 10 % measurements I show ( and performed! The environment heavily influences the sound itself, Ohio with his wife, two young sons and sub! ’ re listening to $ 20K pair of young dachshunds s pretty much all they are also great as vocal. A Black metal grille which also includes it ’ s specialties considered to be expected a. Be adjusted to sound better than most vintage speakers that I should fancy to... Some seriously advanced driver and a 1-inch CMMD dome tweeter and a good size for a medium-sized.. Remaining as clear and detailed as a second pair of monitors in a frame. Too close to the 30 degree off-axis measurement great as a second pair young. Exceptionally flat and well behaved % at 100 dB goes even lower 0.066376...